Monday, December 24, 2012
Wednesday, December 12, 2012
A No Pressure Pencil Exercise: Three Princesses
Close-ups
This drawing was done from a photo for a weekend
drawing event. It is
a pencil sketch, 81/2 X 11 inches.
When really relaxed and using junk paper and pencil,
when there is absolutely no pressure to draw well,
you can be free and relaxed with your line. You
can make lines filled with life and movement…
COMMITTED, BRAVE lines drawn with ABANDON.
The secret is to do this when under pressure or tense
because you are using expensive materials. The secret
to solving this is to
work around others and to use
and destroy some nice papers without sadness because
you have learned something.
Maybe not something
astonishing but something as simple as “ I need to vary
my line more.” This
simple understanding is really worth
much more than a sheet of paper.
I have included two
close-ups for you to see my line.
It was done on junk paper with mechanical pencil… a NO
pressure exercise.
Sunday, November 25, 2012
Proportion: Christmas Calico Cat
6 x 6 Acrylic on stretched
canvas.
Definition of Calico Cat: Calico
refers to the color
pattern of the cat not the breed. The color pattern
occurs in a non-predictive manner.
pattern of the cat not the breed. The color pattern
occurs in a non-predictive manner.
I have been on a quest to
capture the essence "catness ".
I have struggled with the facial
proportions. I must be
painting my mental image of "catness" and not what is
really there. I have never owned a cat and I believe
familiarity with an animal makes it easier to under-
stand its proportions. With this painting I kept
stopping and putting it aside, so I could look at it
with fresh eyes and evaluate where I was
proportionally off. This was very helpful since my
original painting was off in the relationship of the ears
to the head and the length of the face from the nose
down. This painting is closer to looking convincing
than many I have done. After I finished it I asked
myself why? Yes, my measurements and angles
are more accurate. I started to investigate cat
facial proportions and found that pentagonal symmetry
painting my mental image of "catness" and not what is
really there. I have never owned a cat and I believe
familiarity with an animal makes it easier to under-
stand its proportions. With this painting I kept
stopping and putting it aside, so I could look at it
with fresh eyes and evaluate where I was
proportionally off. This was very helpful since my
original painting was off in the relationship of the ears
to the head and the length of the face from the nose
down. This painting is closer to looking convincing
than many I have done. After I finished it I asked
myself why? Yes, my measurements and angles
are more accurate. I started to investigate cat
facial proportions and found that pentagonal symmetry
is applicable to a cat face, as well as to many other
creatures. We as humans love symmetry. We find
creatures. We as humans love symmetry. We find
beauty in it. Maybe this is why I like this cat painting
better than most I have done.
better than most I have done.
Wednesday, November 7, 2012
Exercise: Two Hour Portrait: Old Man
I posted this larger so that you can see the brush strokes. It is acrylic, 8 x 10 inches on stretched canvas. It was done in 2 hours. Portraits can easily be overworked. I wanted to limit my time so that could not occur. Yes, I am guilty of overworking, just like many of you. It is quite easy to keep changing and changing, but after a point the freshness is gone. I am not a professional portrait painter, but I do enjoy painting people with character evident on their faces. I also love brush stroke. When I paint, I want the brush stroke to show. I do not want it to look like my colored pencil paintings, which are very realistic. The smallest brush I used was a # 7 old, frayed. round. I also used a 1/4 and a 1/2 inch flat brush. The flats help to define the planes, the round makes the lines.
Monday, October 15, 2012
Hippocampus
This first photo is after 2 hours and 15 minutes
I put in two more hours to finish.
Done from a photo for the October 12 weekend Drawing Event. Acrylic on stretched Canvas 8 x10 inches. Living on a peninsula between the Sea of Cortes and the Pacific Ocean, sea life is very much a part of life here. Some years ago in Magdalena Bay on the Pacific side of the peninsula, I was lucky enough to see a live seahorse.
I put in two more hours to finish.
Done from a photo for the October 12 weekend Drawing Event. Acrylic on stretched Canvas 8 x10 inches. Living on a peninsula between the Sea of Cortes and the Pacific Ocean, sea life is very much a part of life here. Some years ago in Magdalena Bay on the Pacific side of the peninsula, I was lucky enough to see a live seahorse.
Monday, October 8, 2012
Pacific Sea Nettle
Colored pencil on dark blue Colorfix paper. Around the edge of the painting you can see the paper color.
I used Prismacolors. On the dome of the jelly where I wanted a smooth, shiny, blended surface, I used a stiff brush to blend the colors together. The painting is 6x6 inches. I took the photo at the Aquarium of the Bay in San Francisco. I am fascinated by these beautiful, monsters of the deep.
It has been a very long time since I really enjoyed doing a painting. But this was fun, quick and a bit abstract.....making all of my many practice paintings worth it.
Saturday, October 6, 2012
Three Hour Colored Pencil Sketch... The Fawn
The Fawn is Prismcolors on coffee colored Mi-tientes paper 6 x 7 1/2 inches. It was done from a photo for the October 6, Wetcanvas Drawing Event. It is a practice piece done simply for the enjoyment of making art. There are so many reasons not to produce work. I am not in the mood, I am not engaged by the photo, there is just too much detail, it won't be a masterpiece, I don't like how it looks as I begin, it isn't perfect, my measurements are off........and on and on. I am sure if you are reading this blog, you have experienced these thoughts.
But, this summer I visited the studio of Joaquin Clausell (1866-1935). He is a Mexican Impressionist. His studio is located in Mexico City, in a wonderful old building, now the City Museum. He used his walls to practice upon. There are no canvases in his studio now. There are just four walls painted from floor to ceiling with small works. It appears that he used these walls for practice areas.....to work out problems, to think about composition, or to simply to play at the end of a day. It is a breathtaking, enchanting glimpse into the mind of a practicing artist. This was certainly not meant to be a display of his finest works, but it shows us much more, his problems, his sometimes not so perfect solutions, and some amazingly fresh masterpieces. This all came about through PRACTICE.
So, if you ever get a chance to visit his studio, please do, you will not be disappointed
So here is my practice piece after 2 hours.
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